Category Archives: psychosis

31 Days of Horror: The Invisible Man (R; 2020; 124 min.)

This is one of those movies that some love and some hate. Me, I’m right down the middle. What started as an intriguing horror-movie premise involving two main characters, eventually turned into a weird sci-fi-ish thriller involving way too many, weakening the scares and horror cred.

In The Invisible Man, the always amazing Elisabeth Moss plays Cecilia, an abused woman who escapes Adrian, her young, genius, tech-wizard millionaire husband (a character that is quickly turning into a trope), only to find out he has committed suicide two weeks later. However, she–and only she, of course–thinks he’s really still alive and stalking her using his invisibility invention, trying to exact revenge and frame her for many things, including murder. As she tries to convince those around her she’s not crazy while simultaneously fighting off Adrian, she realizes she must get smarter. Soon, her efforts start to work and entire police forces (okay, hospital cops, but still) are trying to take him down, yet only Cecilia can ultimately make Adrian SEE that he’s messing with the wrong woman.

  • Top Scare: In a house
  • Heartbeats: 2 1/2 out of 5
  • Gore Factor: 2 1/2 out of 5
  • Suspense Factor: 3 out of 5
  • Recommended for: 16 and up

31 Days of Horror: The Snowman (R; 2017; 119 min.)

The Snowman

Based on Jo Nesbø’s book of the same name, The Snowman at first appears to be a nicely creepy horror movie. However, the only thing worthwhile about the movie is the breathtaking scenery of Oslo, Norway.

Starring Michael Fassbender as Harry Hole (no, I didn’t make that up), an elite investigator who spends much of the movie on one “bender” after another, the story tries to tell the tale of a sociopath who murders and leaves a snowman behind as his calling card. Hole is being taunted by the killer too, as he investigates a missing mother. A bunch of other people are somehow intertwined (it pulls together so loosely it’s sad) in the story, casting doubt on who is who is who. As more people go missing and snow continues to fall (the murders all happen when it snows), Hole discovers the killer might be closer than he realizes. Ho, hum. Save yourself some time, and buy a snow globe instead.

  • Top Scare: The Windchill
  • Heartbeats: 1 1/2 out of 5
  • Gore Factor: 4 out of 5
  • Suspense Factor: 2 out of 5
  • Recommended for: 17 and up

 

 

31 Days of Horror: Split (PG-13; 2016; 117 min.)

split

As a huge M. Night Shyamalan fan, I waited nearly two years to watch Split not because I was worried he couldn’t pull it off, but because from the previews I feared it was a glorified Norman Bates tale, which would be hard to improve upon. However, after watching the incredible James McAvoy’s understated yet exuberant performance, along with solid turns by Betty Buckley as his therapist and Anya Taylor-Joy as one of the girls he has kidnapped, I am happy to say my fear was misplaced.

McAvoy plays a man with DID (Dissociative Identity Disorder) who has 23 distinct personalities living within. One of those personalities, Dennis, stalks and kidnaps three teenage girls for an emerging 24th personality, one whom most of the others are terrified of. As the girls realize their captor is unusual to say the least, they try to work around his many personalities to escape. Meanwhile, his therapist has been receiving email after email from one personality who is secretly reaching out for help for them all. As the emerging personality grows stronger, the race is on to see if the girls can outsmart all 24 and escape while the therapist tries to convince as many personalities as she can to fight the newcomer and continue their lives as before. The battle is exciting and suspenseful, with a nice twist ending we’ve come to expect from Shyamalan, and which points to another installment in Shyamalan’s many universes.

  • Top Scare: Locked room occurrence
  • Heartbeats: 3 out of 5
  • Gore Factor: 1 1/2 out of 5
  • Suspense Factor: 3 out of 5
  • Recommended for: 14 and up

31 Days of Horror TV Show: American Horror Story (FX on Wednesdays,10pm)

With a great cast that includes Jessica Lange, Frances Conroy, and Dylan McDermott, American Horror Story looked to be a good bet this Fall, and I wasn’t disappointed after seeing the pilot. Definitely earning its 10pm time slot (it’s slated as a psychosexual thriller and features lots of nudity, sex, and some pretty darn creepy demon-type stuff), this new series on FX has a taut, horror movie-like atmosphere and numerous good scares in just one hour.

American Horror story is set in LA, where the Harmons, Ben and Vivien, and their teenage daughter, Violet, have just arrived for a “new start.” They move into a classic old house with death in its history and a dark, maze-like basement. This, however, does not seem to deter them from the great deal they are getting on the house so they move right in!

Soon, uber-creepy neighbors who show up uninvited, freaky murals that are exposed behind torn wallpaper, and a psychotic teen patient of Ben’s let us in on some of the darker secrets of the house and its hold over the new inhabitants. Perhaps, dear friends, that great investment wasn’t such a smart move after all? Now the question is: will they figure that out before it’s too late?

  • Heartbeats: 3 1/2 out of 5
  • Gore factor: 3 1/2 out of 5
  • Suspense factor: 4 out of 5
  • Recommended for: 18 and up

Horror Movie: Bereavement (2011; R; 103 min)

Part of my 31 Days of Horror…

A horror movie with a mission? A slasher fest with a message? Well, not exactly, but that’s what Bereavement pretends to be when it tries to answer this: What would it be like if a sadistic, psychotic killer took a young child under his wing, one with CIPA (Congenital Insensitivity to Pain, where a person cannot feel physical pain), in an effort to understand how fear and feeling interact? Uh, no, thanks; I like my horror movies without a message, thanks.

Bereavement opens in 1989 in PA, where a young CIPA boy named Martin Bristoll is kidnapped by Sutter, the above-mentioned crazy guy who lives next to his deceased father’s abandoned slaughterhouse. Sutter knows of Martin’s rare condition, and begins using the boy to clean up after his own slaughters (doesn’t anyone in these small towns ever notice when teen girls go missing for several years and doesn’t anyone ever think of checking the abandoned slaughterhouse for them and/or the killer?) and to try to teach the girls not to fear pain by cutting Martin in front of them. At least I think that’s his mission, but he also talks and listens to various steer skulls he has hanging around, who may or may not represent his dead father, and that’s where things get kind of fuzzy.


Fast forward five years and enter seventeen-year-old Allison, whose parents have just died and who is moving in with her Uncle John, his wife, and their young daughter Wendy. Uncle John happens to live just up the road from Sutter, though far enough away apparently to never hear screams coming from the twisty, dark, maze-like barn-ish slaughterhouse. He has also never seen Martin there, even though Allison does the first day while out running along the road.

For the next long hour or so, we see Sutter at work on various girls (think blood, gore, and knives), Martin cowering and scrubbing stalls, and hear gems such as, “Silence is the sound of no fear, no pain. The sound of peace. I envy your serenity.” (Just one golden nugget offered to Martin by Sutter). This drags on for quite a while, until Allison once again catches sight of Martin at the slaughterhouse, and goes in to try to help him escape.

Now I know you’re all shaking your heads about now, wondering why the teenage girl always has to do something all alone, in the middle of nowhere, that’s just so stupid. Well, because it’s a horror movie, silly, and we wouldn’t be watching if everyone just sat around singing campfire songs, now would we? So, instead, wonder: does Allison help Martin escape? Does Sutter “get his” in the end? And do those ugly skulls ever stop talking, even though no one but Sutter can hear them? Better yet, wonder: “Why did I rent this movie in the first place?” as that may make more sense than the disappointing ending to this movie which will only leave you Bereaved over losing your money!

  • Top Scare: Sutter creeping up behind Martin
  • Hearbeats: 2 1/4 out of 5
  • Gore Factor: 3 1/2 out of 5
  • Suspense Factor: 2 out of 5
  • Recommended for: 18 and up, due to gore and the child being hurt (even though this is shown very little).

Horror Movie: Parasomnia (R; 2008; 103 min.)

I can sum up this movie in just a few words: freaky, funky unbelievable noir-type gore-fest. There. Oh, you want to know more? Okay, read on…

Parasomnia is a medical condition where one sleeps most of the time, awaking only occasionally and for only short periods of time. Somehow, despite having this Sleeping Beauty-like syndrome and living in a psych ward (a psych ward that has few locks, is right down the hall from rehab, houses a hooded serial killer standing in chains and allows visitors to roam about freely no less), Laura has beautifully coiffed long hair and can talk and walk with no problem!

As you can tell, you must suspend a lot of belief to watch this fright-fest. Because you also meet Danny, who wanders down the hall from visiting his friend in rehab and discovers Laura, immediately falling in love with her and getting her doctor to tell him all about her in less than five minutes. He also discovers the crazed serial killer in the next room, Brian Volpe, who has managed to hypnotize Laura through the walls and has invaded her freaky, crazy dreams. This is different, mind you, from how he usually hypnotizes people…normally his eyes alone, backlit with spider webs, can do the job! Anyhow, Danny decides to free Laura from Volpe’s hold by kidnapping her from the grossly-understaffed  hospital and taking her back to his apartment. Bad move, Danny!

Danny awakes to Laura trying to slash him with a mighty long knife, even by slasher-movie standards. She eventually falls asleep again, and, unfazed, he heads out for a bite to eat, propping her in front of a TV. When he returns, he discovers she has brutally tortured and murdered his neighbor. So he starts to clean up while she sleeps again. When the cops arrive to investigate, she manages to eviscerate one of the investigators before once again falling asleep!

The story continues on in this manner, with Laura sleeping and waking, Danny being dumbly in love, bloody gory slasher fests, and a serial killer who escapes after hypnotizing a nurse, then comes for Laura. It is actually hard to watch this movie…hard to watch and hard to watch it go on and on and on while it goes quickly down the drain. There are a few cool special effects, but they are completely outweighed by the ridiculous storyline. My recommendation: if you’re dreaming of a good horror movie, just keep dreaming: this one will put you to sleep.

  • Top Scare: Serial Killer
  • Heartbeats: 2 out of 5
  • Gore Factor: 4 out of 5
  • Suspense Factor: 3 1/4 out of 5
  • Recommended for: 17 and up, due to crazed violence, gore, cussing and nudity

Horror Movie: Halloween (Director’s Cut) (R; 2007; 109 min.)

This remake of my all-time scariest movie is a darker, deeper and more brutal version than the original. The first 26 minutes are devoted to Michael Myers as a long-haired 10-year-old child living in a heinous home filled with cussing, booze, sexual overtures and abuse. It is Halloween. Michael snaps when, sitting outside the principal’s office at school, he overhears a psychologist talking to his mother (a pole-dancer by trade) about photos of tortured animals the principal found in Michael’s backpack. That night, while Mommy is dancing and Big Sis is getting it on with her boyfriend upstairs instead of taking him trick-or-treating, Michael dons a clown mask and brutally murders his injured step-father (good riddance to that sicko!), his sister’s boyfriend, and then his older sister (as she is listening to “Don’t Fear the Reaper” on headphones). Finally, he picks up his baby sister and says, “Happy Halloween Belle.”

Flash forward 11 months to the local sanitorium, where Michael is being held and treated by Dr. Samuel Loomis. Dr. Loomis is not making much progress with Michael, who would rather design, create and wear strange masks and ask him why he “talks funny.” When his mother visits, he says, “Hey, Mommy, is everyone at home okay?” as if he has forgotten the havok he wreaked less than a year earlier. Little by little, Michael draws in upon himself and stops talking. When he is left alone briefly with a nurse who insults him, he forks her neck. His mom just can’t take being the mother of Satan any longer and shoots herself, leaving behind his baby sister to be adopted out as “Laurie.”

Flash forward again, 15 years down the road. Michael still has not spoken during all these years. He is enormously tall, with disgusting feet, and he wears an orange mask he has made. When two night guards taunt him in his room (beware the brutal rape of a fellow inmate in this scene…not for the squeamish!), he kills them and escapes, heading back to his hometown . On Halloween, he finds Laurie’s new family and one by one picks them off in various bloody ways, now wearing his trademark emotionless-face mask which he had hidden in his boyhood home (boarded up and abandoned) all these years. Dr. Loomis heads there to help find him and “talk him down” apparently. Fool.

The next hour is spent in bloodbath after bloodbath. However, we are spared much of the scares involved in the original movie, those of anticipation, since the scenes are so darkly lit we can’t really make out what is happening and how close he is to reaching someone and killing them. He does find Laurie during this time, and many, many, many, many minutes later the doctor also finds them and tries to help Laurie. The ending is very unsatisfying and is drawn out much longer than necessary. Ugh! I’ll stick with the original version of Halloween every time and recommend that you do too!

  • Top Scare: Family Michael grows up in
  • Heartbeats: 3 3/4 out of 5
  • Gore Factor: 4 out of 5
  • Suspense Factor: 3 1/2 out of 5
  • Recommended for: 18 and up for cussing, abuse, nudity and sex scenes, gore and brutality

Next up: Parasomnia

Horror Movie: Psycho (TV-14; 1960; 109 min.)

This movie that kind of started it all is considered a classic for a good reason…it features great characters, suspense, a psycho on the loose, and even a dark, stormy night. Directed by Alfred Hitchcock, how could you ask for more?

Psycho stars Janet Leigh as Marion Crane, an office worker who decides to steal $40,000 from her employer’s client and flee to another town to marry her boyfriend. On her way out of town, the skies let loose and she must pull off the road at the small Bates Motel for the night. There she meets Norman Bates (played oh, so deliciously by Anthony Perkins), the owner of the motel, who invites her “up to the house” where he lives behind the motel, for a bit of dinner. Since she can’t get out in the storm to look for food, she accepts. But as she “freshens up,” she overhears Norman and his elderly, ill mother argue about her joining them, so she simply eats with Norman in the hotel office.

Over sandwiches she discovers Norman’s interest in taxidermy (knew that was coming, didn’t ya?), and talks to him about his long, lonely days and nights spent caring for his mother. Perhaps he should put her in a “home?” Wrong thing to say, honey! How do we know? Because as Marion showers before bed, Norman’s mother opens the shower curtain and slashes her to death!

Norman quickly cleans up the evidence of Marion’s visit to the motel and her death. Which is a good thing since a private investigator has already begun looking for her and has tracked her to the Bates Motel. He asks a few too many questions though, so when he slips into Norman’s creepy, old house on the hill to talk to his mother, he discovers Momma isn’t such the invalid he thought. Bye-Bye Mr. Investigator!

Well, by this time Marion’s sister and boyfriend haven’t heard back from the P.I., so they also head to the B.M. (Bates Motel, not the yucky swamp-like land behind it which looks like a big toilet bowl). They devise a strategy to search the motel and the house, but when Norman grows suspicious, he takes off after them for one last showdown starring him and his UGLY Momma!

  • Top Scare: Shower scene!
  • Heartbeats: 4 out of 5
  • Gore Factor: 1 1/2 out of 5
  • Suspense Factor: 4 1/2 out of 5
  • Recommended for: 14 and up

Next up: Whiteout

Horror Movie: Guess the Name (R; 1976; 98 min.)

I was too tired last night for subtitles (The Orphanage), so chose to watch a classic instead. My husband had never seen it, so  that made it even better. It was a literal bloodbath, or bloodshower I should say (in two scenes!), starring The Coal Miner’s Daughter, Urban Cowboy, Greatest American Hero, and Mrs. Bradford…can you guess its title?

Okay, hopefully you said Psycho…nah, just kidding. Carrie, of course! Now I know I just reviewed another Stephen King adaptation yesterday, Salem’s Lot, but he is the King of Horror after all, so I thought another so soon was okay.

Carrie is set in the land of true horror, aka High School. Raised by a fanatically religious mother, Carrie is “different” from the other kids. Not only does she become the world’s oldest girl to start menstruating, she discovers she has special abilities to move items, close doors, break mirrors, and make young, bratty boys riding bikes fall to the ground when she gets angry! Okay, take away the crazy mother and it sounds like a pretty good life to me so far, right?

Wrong! Carrie’s prom is coming up, and the most popular boy in school’s girlfriend, played by the young and beautiful Amy Irving, encourages him to ask Carrie to the prom to make up for a mean prank she pulled on Carrie with her classmates. Carrie accepts, but her mother says, “They’ll make fun of you!” in an incredibly creepy voice. Carrie says, “Things are going to change around here, Momma” as she throws her mother onto the bed (twice!) using only the powers emanating from her huge, round eyes.

Off to the prom she goes, and is having a great time dancing and being a “normal” kind of girl, but little does she know another classmate, who has been banned from the prom due to her participation in the cruel prank on Carrie, is seeking her revenge that night. Enlisting her boyfriend’s help, the Urban Cowboy, this classmate will soon learn that hell hath no fury like a teenaged girl drenched in blood!

Carrie is the ultimate high school girl’s revenge fantasy; revenge for all the wrongs that have been done to her over the years, for all the pointing and laughing and “cold shoulder-ing.” One of my favorite scenes is during Carrie’s walk home following the prom, when a quick cut-away shot shows Carrie/a creepy doll-like figure in the road diverting a car from hitting her. Second favorite scene: the final minute…got my husband good on that one!

  • Top Scare: Ending
  • Hearbeats: 3 out of 5
  • Gore Factor: 2 out of 5
  • Suspense Factor: 3 1/2 out of 5
  • Psycho Factor: 4 out of 5
  • Recommended for: 16 and up, due to lots of cussing, date and teacher/student violence, sex scenes and general themes

Next up: The Orphanage

Horror Movie: Rosemary’s Baby (R; 1968; 136 min.)

What a classic horror movie…love it still! And amazingly, many of the styles in the movie are “back in!”

Mia Farrow is Rosemary, who along with her husband Guy, a struggling actor,  is looking for a new apartment in New York City. They find a great one and get settled in. Soon, they meet their neighbors, an older couple named Roman and Minnie Castevet, and become friendly with them. Guy begins to spend more and more time with Roman despite Rosemary’s uneasy feelings about him.

Rosemary and Guy are anxious to start a family, and following a very creepy “dream” of Rosemary’s, they soon discover she is pregnant. Minnie convinces Rosemary to see a well-known obstetrician she’s friendly with, who prescribes a daily vitamin drink that Minnie will make for Rosemary’s baby’s health. Rosemary has terrible pains during the beginning of the pregnancy, loses lots of weight, and eats various cuts of raw meat, all concerns poo-poo’d by the doc, Guy and the Castevets when she states them.

Meanwhile, Guy’s fledgling acting career has suddenly taken off after a friend who had won a coveted role goes blind and Guy steps into the role. Rosemary begins to have even more misgivings about her neighbors, Guy, and her doctor after talking to some friends, and after a close friend, who falls suddenly ill, passes on to her a book about witches and the history of her building. Could her neighbors and her husband really be witches, she wonders? Is her baby tied into this somehow?

The story continues in this vain, following Rosemary through the pregnancy and birth, with wonderful acting by Farrow and Ruth Gordon (Minnie) especially. Fun to watch even though not very scary!

  • Top Scare: Rosemary’s dream, I guess
  • Heartbeats: 1  out of 5
  • Gore Factor: 1/2 out of 5
  • Suspense Factor: 2 1/2 out of 5
  • Recommended for: 15 and up, mainly due to the “dream” scene

Next up: Amityville Horror